"One of the things you find out fast as a foreign correspondent, especially reporting from the developing world, is that there is very little to stop you making things up, except your own conscience. Out in a Chinese field, interviewing a peasant who has had his land stolen, or out in an Afghan refugee camp speaking to victims of Taliban brutality, it soon becomes obvious that if you embellish and improve quotes, nobody is going to find out. Chinese peasants and Afghan refugees are not going to read your work, and are not going to shop you to your editors.
As it happens, and you are going to have to take this on trust I fear, I am a fantastic prig and Puritan on this subject, and fanatical about getting quotes straight and reporting only what I have seen, or if I am quoting what a local or a photographer or a wire agency saw, saying so. That is not because I am a saint. It is more about managing the existential angst of being a reporter a long way away from home: once you start making things up a bit, you might as well start making it all up and file without even getting on a plane. And then you quickly feel the ground vanishing beneath your feet: if you are inventing things, why be a journalist at all?"
As it happens, and you are going to have to take this on trust I fear, I am a fantastic prig and Puritan on this subject, and fanatical about getting quotes straight and reporting only what I have seen, or if I am quoting what a local or a photographer or a wire agency saw, saying so. That is not because I am a saint. It is more about managing the existential angst of being a reporter a long way away from home: once you start making things up a bit, you might as well start making it all up and file without even getting on a plane. And then you quickly feel the ground vanishing beneath your feet: if you are inventing things, why be a journalist at all?"
— “Unethical journalism: The depressing tale of Johann Hari” (The Economist)
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